India 2019, Busan A Window On Asian Cinema- Kim Jiseok Award
Feature Film by Pradip Kurbah
Iewduh is the name of the largest and the most vibrant market in Northeast India. Market, whose original title is ‘Iewduh’, tells the story of the people of the Iewduh Bara Bazaar market. Mike is a bathroom cleaner working in the darkest of the dark places in the market. He lives with Hep, a boy who was abandoned by his parents and was later taken in by Mike.
Argentina 2019, San Sebastian Zabaltegi, IDFA Masters
Documentary by Andrés di Tella
Over several days and nights, an actor and an actress read the correspondence between Torcuato and Kamala, the film director’s parents, he from Argentina, and she from India. The letters, encompassing the decades from the 50s to the 70s, refer to love and idealism, record world travels, talk about socialism and psychoanalysis, about pain and broken dreams. Their reading reveals a relationship between the actors, with similarities and differences. Meanwhile, with his own daughter, the director sets about solving the puzzle of the family memory, an intimate twentieth-century tale.
India 2018, Toronto & Busan 2018, Berlinale Generation 2019- special mention
Feature Film by Rima Das
Bulbul, Bonny and Suman live an idyllic life, playing in the rain, climbing trees and swimming in the river. On the cusp of puberty, the inseparable trio go through their schooling days as a unit, discovering love, sexual awakenings and rebellion together. When a group of villagers discover the teens engaged in acts that outrage their moral modesty, the trio’s friendship is put to the test through violent punishment and tragedy. Continuer la lecture
Lithuania 2018, Locarno First Feature Swatch Art Peace Hotel Award
First Documentary by Rugile Barzdziukaite
Can you imagine a tourist attraction where people come to see a dead forest? Where they are not only observers, but also the ones being observed and listened to by black birds? The forest reminds of a nuclear fallout for some visitors, while others recall Hitchcock’s The Birds. People’s observations and responses to this environment are as multi-layered and bizarre as the story of the forest itself. » Continuer la lecture
France 2019, Berlin Forum, Curitiba Olhar do Cinema New Views Award – Feature for Best Film, DocLisboa Special Prize of the Jury
First Documentary by Frank Beauvais
January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job or any real prospects, surrounded by luxuriant nature, the proximity of which is not enough to calm the deep distress into which I am plunged. France, still in shock from the November terror attacks, is in a state of emergency. I feel helpless, I suffocate with contained rage. I am lost and I watch four to five films a day. I decide to record this stagnation, not by picking up a camera but by editing shots from the stream of films I watch. Continuer la lecture
Italy 2019, Rotterdam Signatures
Non Fiction Film by Andrea Caccia
A river. A young boy who plays and gets lost in the woods. A naked man who wanders among the trees. A weapon. An illegal hunter. A police officer. A crime from the past. An old gold prospector. Real people, who go about their daily lives in a natural theatre where reality takes on the qualities of a fairy tale, a crime novel, a coming-of-age story. Five men at different stages of life who never meet yet are all part of one, unique, suspended narration.
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